What is true of Bebop? Joseph Nathan "King" Oliver (December 19, 1881 – April 10, 1938) was an American jazz cornet player and bandleader. ... jazz musician (trombone), arranger, composer, and bandleader in the swing era. His influence was such that Armstrong claimed, "if it had not been for Joe Oliver, Jazz would not be what it is today. Rating. And he was mentor and father figure to the great Louis Armstrong, who was himself the most powerful musical figure of the 20th century. [4], In Chicago, he found work with colleagues from New Orleans, such as clarinetist Lawrence Duhé, bassist Bill Johnson, trombonist Roy Palmer, and drummer Paul Barbarin. A few years later Oliver summoned him to Chicago to play with his band. Recordings made by this group in 1923 for Gennett, Okeh, Paramount and Columbia Records demonstrated the serious artistry of the New Orleans style of collective improvisation or Dixieland, and brought it to the attention of a much wider audience. He was the mentor and teacher of Louis Armstrong. In the summer of 1921 he took a group to the West Coast, playing engagements in San Francisco and Oakland, California. true. Conn Instrument Company, with which he played his famous solo on his composition the "Dippermouth Blues" (an early nickname for fellow cornetist Louis Armstrong). Also a notable composer, he wrote many tunes still played today including "Dippermouth Blues", "Sweet Like This", "Canal Street Blues" and "Doctor Jazz".
[9], In the mid-1920s Oliver enlarged his band to nine musicians, performing under the name King Oliver and his Dixie Syncopators, and began using more written arrangements with jazz solos.
"Dippermouth Blues," for example, was adapted by Don Redman for Fletcher Henderson's Orchestra under the new name of "Sugar Foot Stomp.".
The Great Depression brought hardship to Oliver.
P.O. King Oliver. Armstrong and other loyal musician friends were in attendance.[18].
Oliver also had health problems, such as pyorrhea, a gum disease that was partly caused by his love of sugar sandwiches and it made it very difficult for him to play[14] and he soon began delegating solos to younger players, but by 1935, he could no longer play the trumpet at all.
[8] A prospective tour in the midwestern states ultimately broke up the band in 1924.
Also a notable composer, he wrote many tunes still played today including "Dippermouth Blues", "Sweet Like This", "Canal Street Blues" and "Doctor Jazz". 8. debnjerry. Jimmy Dorsey. This, coupled with his diminishing ability to play as a result of suffering from pyorrhea, caused him to discontinue musical work by 1937. Louis remembered Oliver as "Papa Joe" and considered him his idol and inspiration. He reunited the band in 1928, recording for Victor Talking Machine Company one year later. Box 10 Oliver performed mostly on cornet, but like many cornetists he switched to trumpet in the late-1920s. “Papa Joe” composed blues and jazz tunes still being performed. This is the raw source file and needs to be edited, verified, and reformatted. He pioneered the use of mutes, including the rubber plumber's plunger, derby hat, bottles and cups. Miles Davis. Also a notable composer, he wrote many tunes still played today, including "Dippermouth Blues", "Sweet Like This", "Canal Street Blues", and "Doctor Jazz". A band he co-led with trombonist Kid Ory was considered to be New Orleans' hottest and best in the late-1910s. King Oliver Orchestra Transcription Project. Louis remembered Oliver as "Papa Joe" and considered him his idol and inspiration. From 1908 to 1917 he played cornet in New Orleans brass bands and dance bands and in the city's red-light district, which came to be known as Storyville. In addition to Oliver on cornet, the personnel included his protégé Louis Armstrong on second cornet, Baby Dodds on drums, Johnny Dodds on clarinet, Lil Hardin (later Armstrong's wife), on piano, Honoré Dutrey on trombone, and William Manuel Johnson on bass. A band he co-led with trombonist Kid Ory was considered one of the best and hottest in New Orleans in the late 1910s. Address
He was particularly recognized for his playing style and his pioneering use of mutes in jazz. Armstrong notably had to stand in the corner of the room, away from the horn, because of his powerful playing. “Papa Joe” composed blues and jazz tunes still being performed. Eventually he could no longer play and just fronted the band. It featured frequent chord changes. Hot five was the famous band of which musician?
His periodontitis made playing the trumpet progressively difficult. I still think that if it had not been for Joe Oliver, Jazz would not be what it is today.
Updated 5/23/2016 1:29:38 PM. Joseph Nathan Oliver (December 19, 1881 – April 10, 1938) better known as King Oliver or Joe Oliver, was an American jazz cornet player and bandleader. Jelly Roll Morton. JazzSkool.org is a FANDOM Music Community. This "freak" style of trumpet playing was also featured in his composition, "Eccentric. Joe “King” Oliver. In the later 1920s, Oliver, struggling with difficulties in playing trumpet with his gum disease, began employing other trumpeters to handle the solo work, including his nephew Dave Nelson, Louis Metcalf and the young, up-and-coming New Orleans trumpeter Henry "Red" Allen.
Oliver's business acumen was often less than his musical ability. After Storyville closed, he moved to Chicago in 1918 with his wife and step-daughter, Ruby Tuesday Oliver. Handel's Water Music Suite for Baroque Trumpet - www.natemayfield.com, Preservation Hall Jazz Band - Hindustan (LIVE), Charlie Parker - Summertime (Jazz Instrumental), Charlie Parker & Dizzy Gillespie - Hot House (1952), King Oliver's WWI Draft Registration Card and Essay, https://jaz.fandom.com/wiki/King_Oliver?oldid=33195.
[10] In 1927 the band went to New York, but he disbanded it to do freelance jobs. His grave marker says, "Oliver, Joseph "King" (1885-1938) | The Black Past: Remembered and Reclaimed", King Oliver's WWI Draft Registration Card and Essay, https://en.wikipedia.org/w/index.php?title=King_Oliver&oldid=985619207, Disease-related deaths in Georgia (U.S. state), Wikipedia articles with MusicBrainz identifiers, Wikipedia articles with SNAC-ID identifiers, Wikipedia articles with SUDOC identifiers, Wikipedia articles with Trove identifiers, Wikipedia articles with WORLDCATID identifiers, Creative Commons Attribution-ShareAlike License, This page was last edited on 26 October 2020, at 23:27.
A succession of managers stole money from him, and he tried to negotiate more money for his band than the Savoy Ballroom was willing to pay - losing the job.
Oliver performed mostly on cornet, but like many cornetists he switched to trumpet in the late-1920s. Oliver found musical work in Chicago with colleagues from New Orleans such as clarinetist Lawrence Duhé, bassist Bill Johnson, trombonist Roy Palmer and drummer Paul Barbarin. In the mid-1920s Oliver, following the popular trend of the time, enlarged his band to nine musicians (as King Oliver and his Dixie Syncopators), and began performing more written arrangements with jazz solos. s. Get an answer. Joseph Nathan Oliver (December 19, 1881 – April 10, 1938) better known as King Oliver or Joe Oliver, was an American jazz cornet player and bandleader. King Oliver Orchestra Transcription Project Oliver was also a talented composer, and wrote many tunes that are still regularly played, including "Dippermouth Blues," "Sweet Like This," "Canal Street Blues," and "Doctor Jazz.". Bandleader, Cornet, pioneered use of mutes. [7] In addition, white musicians would visit Lincoln Gardens in order to learn from Oliver and his band. USA. According to an interview at Tulane University's Hogan Jazz Archive with Oliver's widow Estella, a fight broke out at a dance where Oliver was playing, and the police arrested him, his band, and the fighters.
"[12], Oliver was also a talented composer, and wrote many tunes that are still regularly played, including "Dippermouth Blues," "Sweet Like This," "Canal Street Blues," and "Doctor Jazz."
He was particularly recognized for his playing style and his pioneering use of mutes in jazz. King Oliver pioneered the use of mutes in jazz.
[3] On the west coast, Oliver and his band engaged with the vaudeville tradition, performing in plantation outfits. He was particularly recognized for his playing style and his pioneering use of mutes in jazz. [3], As a player, Oliver took great interest in altering his horn's sound. Designed by Elegant Themes | Powered by WordPress, Joseph “King” Oliver (born Donaldsonville, Louisiana 1883, died Savannah, Georgia 1938) was a pivotal early jazz figure. New answers.